1. It has been an odd week for me. I’ve been strangely listless and unable to settle down to anything (I mean, more so than usual). I really don’t know what to ascribe it to: depression, anxiety, medication side-effects, or just old-fashioned vice. Suppose the only way to find out is simply to keep working at it and see what works.
2. On the way home from my sister’s place I listened to Dean Koontz’s Tick-Tock (well, after finishing another Agatha Christie: Lord Edgware Dies. That one’s pretty good, though in retrospect it depends on Poirot making a major mistake early on to avoid solving the mystery in about ten minutes). It was…odd. The more I read of Mr. Koontz, the more I find that he has a tendency to let his stories get away from him, where things start to go absolutely nuts as the plot progresses. This was one of those: it starts off as a creepy supernatural horror thriller, then maybe half-way through takes a hard left into an almost cartoonish comedy, while maintaining the gruesome imagery and concepts of the early parts. Or maybe that was intended from the get go, but it was an odd experience nonetheless, and I confess I think I would have preferred a more straight-fire thriller, since the premise itself was really good. I chalk this and similar books up to his being a pantser who works things out as he goes.
(Also, this book hails from the mid-nineties, when ‘super-witty and competent chick paired with nervous, out-of-his-depth, wimpy hero’ was still considered cute. That aspect hasn’t aged well at all).
3. I don’t want anyone to run away with the idea that I dislike Mr. Koontz’s work. On the contrary, I usually enjoy him a lot. The Odd Thomas series is great, as is From the Corner of His Eye and The Good Guy (among the ones I’ve read). Strangers had a great opening, but I thought the payoff was a letdown (though to be fair, it’s really hard to come up with a good payoff to books like that), ditto, though to a less extent, for Phantoms. I remember liking Watchers a good deal too. I didn’t finish Intensity because, well, it was too intense. I took a breather and never went back. Not ‘light’ reading that one.
In any case, as I say, I generally like Mr. Koontz’s work, and even in his more disappointing books I love his style. He’s a wordsmith with a sense of humor, and you can’t ask for more than that.
4. Speaking of Agatha Christie, I also recently revisited Murder on the Orient Express. I think that’s probably the best gateway book if you want to begin reading her work (not least because Poirot spoils the ending in many subsequent books): it’s a strong premise and a fantastic plot, and Poirot has to make some brilliant deduction to solve it. It’s also a pretty delightful cross-section of interwar European society, if you’re into that sort of thing (and who isn’t?).
Of course, the only trouble is that it’s a very famous book and most people already know the solution. If you, by any chance, haven’t already heard it, I urge you to do your best to avoid finding out! Just pick up a copy and read it: you’ll be glad you did.
Then after you’ve done that, pick up the 1974 film version starring Albert Finny as Poirot and a truly staggering collection of stars as everyone else. It’s a great film, even apart from the mystery and the sheer delight of seeing Lauren Bacall, Sean Connery, Vanessa Redgrave, Anthony Perkins, Sir John Gielgud, Richard Widmark, Ingrid Bergman, and more acting together.
(I haven’t seen the 2017 Kenneth Branagh version, but I think it’s fair to say the odds of its being as good are tres petit).
