Comment: Devolving Languages

Commenter Nicholas Arkison made an excellent observation on my last post:

Some of us would say language mostly devolves. (Just think how much disgraceful feminist jargon we could have avoided if we hadn’t let the word “wight” fall out of fashion.) Then again, some of us would also say that about African elephants. Basically, whenever the word “evolve” is used with reference to contemporary phenomena, I’d say there’s at least an 80% chance that the speaker’s trying to put an unjustifiably good spin on humanity’s latest bit of thoughtless vandalism.

Thought of the Day: Evolving Language

We are often told by a certain segment of the population that languages evolve over time, and thus the arbitrary and false-to-facts changes they are insisting upon are perfectly legitimate.

It’s indeed true that languages evolve. Animals evolve too, but chopping a cat’s tail off with a butcher knife isn’t ‘evolution’, and neither is screaming at someone until he uses the words you want him to use instead of the ones that correspond to reality.

Batman: The Terror pt. 1: The First Night

Just up at

It seemed a night like any other in Gotham City, when word reached Batman of a death: one of the city’s rogues found brutally murdered. Then comes word of another. And another. A new terror is stalking Gotham, preying upon the city’s supervillains. But who is it? And what do they want?

Read the thrilling first installment here.

Parts Two and Three to follow.

Friday Flotsam: Software Problems and Jabberwock

1. Missed last week, obviously. Oh, well.

2. For work-related reasons I ended up reviewing many of Sir John Tenniel’s original illustrations for Alice’s Adventures in Wonderland (yes, I’m serious. No, it’s not as interesting as you’d think). In the process I noticed for the first time (or perhaps I had noticed before and suppressed the memory) that the Jabberwock has a waistcoat. And socks.

Also please get it straight that it’s Jabberwock: ‘Jabberwocky’ is the name of the poem

Felt that needed to be pointed out.

3. One cannot become great out of fear, or in order to rub someone’s nose in it. Greatness cannot spring from petty motives.

4. Begun the first steps in actual work, and I’ve discovered something. In the book Clean Code, Robert Martin (Uncle Bob) describes the ‘vicious cycle’ of software development. A company sets upon a certain stoftware platform. Software advances rapidly, so before long it becomes necessary to upgrade it. But the upgrade has to be able to integrate with the earlier system, since that is where the existing information is being kept. Moreover, upgrading takes a lot of time, since we’re dealing with an extremely complicated and delicate machine, and the system has to be completely functional throughout the process otherwise the company loses business.

So by the time the system is updated, the update is already out of date, the already-complicated system has become immensely more complicated, and probably numerous bugs have been introduced that have to be hunted down and corrected.

5. What all this amounts to is that software creates a lot of bloat: you need people on hand to continually maintain and upgrade the system just to keep things functional. It would be as if a law-firm had to keep a staff of scribes on hand to continually re-write all the law-books and hunt up typos. This doesn’t create value (since the system that results is immediately obsolete and in any case has no application outside the company), it only prevents the loss of value that naturally occurs.

This is a flaw in the digital revolution that I don’t think is noticed enough: it creates a natural instability couple with dependency, resulting in an enormous amount of busywork.

6. By the way, if any of you happen to run a company, I have some advice: open-floor plans are one of those things that sound good on paper and make for great sound bites (“we believe in collaboration and teamwork blah, blah, blah”), but are just infuriating to actually experience. People walking by every minute of every day, hovering around your chair because they have to talk to your neighbor, loud conversations going on two feet away that you have no share or interest in. Endless distractions, disruptions, and anxiety, all for the sake of not having to poke your head around a corner to talk to someone, or send an instant message (which we do most of the time anyway).

Not to mention that, frankly, I’m deeply skeptical that my or any one else’s input is so perfectly and unfailingly valuable that all else should be sacrificed to allow it unimpeded scope for expression. Especially when that input is frazzled and distracted by all of the above.

7. Recently had to change my password on a particular service following an apparent security breach. Thoughts upon creating the new one: “Guess that, you bastards.”

UPDATE: If ‘Jabber-Walk’ isn’t the name of a dance, it should be.

Adventure Stories for Young Readers or I Have Been Negligent

Alas, in the hurry and burry of moving I missed that another anthology was published with me in it!

Please help rectify my mistake and immediately go purchase a copy of Adventure Stories for Young Readers

Quoth the Blurb: These tales of family, discovery, and virtue bring the thrills back to reading. Derring-do, hope, and excitement all come together in each author’s take on what it means to have an adventure. From science fiction to fantasy, explore worlds with stories!

My own story, Fate of a Rider serves as the final entry, telling the tale of a boy whose only dream was to be one of the chosen few who ride upon great monstrous beasts to defend their island home. But when he comes to receive his mount, he finds it is a small, underpowered, and seemingly useless creature. Is he doomed to a life of obscurity and menial toil? Or does fate hold something greater in store for him and his companion?

But that’s just one of eleven stories of excitement and adventure by talented authors. Pick it up today and see what adventures are in store!

Tolerance and Totalitarianism at the Everyman

Another post up at The Everyman, here explaining why the diversity, inclusion, tolerance ideology is naturally and inevitably totalitarian.

We moderns have a bad habit of not defining our terms. We like ideas that sound good and tend not to dig in deeper to try to pin down what they are actually saying. So we say things like “everyone should be included.” Except, we very clearly do not mean “everyone”, since we certainly don’t intend to include the criminal, the insane, the drug-addict, or so on. Nor, most of the time, do we mean to include ‘obviously bad people’ like bigots, sexists, fascists, anti-vaxers, and so on.

Some of you, reading the latter list, might think “you’re right, people shouldn’t be excluded just because of their opinions”. But that isn’t my point. The point is that there will always be limits to tolerance, including tolerance of individual opinion, all the way until it crosses the line into simple anarchy (wherein any idea of PTID is eliminated, since anyone can be as ‘intolerant’ as they like in an anarchy so long as they have the muscle to back it up). That is the nature of society: it must have things that simply cannot be accepted or tolerated.

The problem here, as in many other cases, is that the necessary limitations are not built into or defined by the principle, but merely assumed. We say “all are welcome,” but in practical terms what we mean to say is “all are welcome who adhere to our standards.” Only, because it is against PTID to enforce our own standards as if they were true, we don’t mention or define that part and pretend not to notice it.

To put it another way, the common canard, “I don’t care what you believe as long as you’re a good person” is dependent upon what constitutes a ‘good person’ in the speaker’s mind. Which in turn is dependent upon his view of the world—that is, his beliefs. So, what he is really saying is “I don’t care what you believe so long as your behavior more or less matches what I believe.”

Now, most of us, I think would admit all this. We know that there must be standards and that when we say “all are welcome” we don’t literally mean ‘all’. We mean ‘all within reason.’ That is, we assume that we can ground our PTID in a kind of lowest common denominator of agreed truths, things that no reasonable person would dispute. ‘Mere Reality’, to co-opt a term.

Experience has shown that this doesn’t work, and a very little consideration should have told us that it wouldn’t. When you take tolerance as one of your chief virtues and fill people’s heads with tales of heroic acceptance, they will naturally seek opportunities to practice it (because what people want most of all is to think well of themselves). And since, as noted, any commonly agreed ‘ground’ of truth will exclude someone, they will always find a new cause to champion and new oppressors to condemn in order to demonstrate their virtue.

Thus the logic of tolerance itself causes the lowest common denominator to shift ever lower. Just as young Medieval knights, lacking wars at home, would go off to seek battles in foreign lands to prove their virtue, so young people brought up on paeans to PTID will seek new abominations to tolerate so as to prove their own enlightenment.

And since we’ve now reached the point where even acknowledging basic human biology can be regarded as shockingly intolerant, it should be clear that there is no bottom of ‘basic’ reality that everyone can safely assume.

But all this is by way of an introduction. There’s a much worse problem on top of it.

Find out what that worse problem is by reading the rest here.

Kaiju Appreciations; Dagahra

Managed to get another appreciation video up. This one is for Dagahra, the villainous sea dragon of Rebirth of Mothra II, the second film of the Mothra trilogy from the late 1990s.

Dagahra’s story is that he was created by an ancient civilization called Nilai Kinai to clean up the pollution they had put into the oceans. But instead Dagahra went mad and began producing ‘Barems’, toxic starfish-like creatures that consumed the oceans in an effort to destroy everything that polluted the seas. He was subdued, but is awakened in the modern day by human pollution, where he clashes with Leo, the son of Mothra (who is the main star of the three films).

(As a side note, in my head I like to imagine that the Mothra trilogy is in fact in continuity with the Heisei Godzilla films, so that Leo’s mother is the same Mothra that fought Godzilla in Godzilla vs. Mothra. Consequently, I like to imagine that Battra is his father)

Now, when I did my Kamacuras appreciation I said that I didn’t think there was such a thing as a Toho kaiju without personality, but…well, Dagahra might just be an exception. He’s really not very interesting, despite a cool design; just another rampaging monster for Leo to fight in a series of extremely repetitive and largely dull battles that mostly consist of them shooting animated beams at each other with little effect. The idea of him having gone mad in the past from being corrupted by the very task he was created to perform is sort of interesting (and served as the basis for my song choice), but nothing is really done with it. It’s just an excuse for him to be there.

Honestly, the second Mothra film is pretty bad: possibly the worst kaiju film Toho produced in the 90s (the first one isn’t very good either, but at least has some emotional charge with the death of Mothra as she gives her life for her son and has a pretty cool villain in Death Ghidorah: a twisted clone of King Ghidorah). The child stars are extremely annoying (though I found out the girl actually went on to a pretty successful career) and the anti-pollution message is as subtle and artfully done as a meteor. The pseudo-Indiana Jones action that fills out the non-monster scenes is pretty awful, and it doesn’t help that Dagahra’s backstory is an almost exact copy of the Gyaos from Gamera: Guardian of the Universe, which is one of the better kaiju films of that era, not to mention being simultaneously very similar to Battra’s from Godzilla vs. Mothra, both of whom are much more interesting characters (hence why Battra has become a staple of the Godzilla roster while most people forget Dagahra even exists).

For the song I went with The Hate in Me, initially just because I’d been meaning to use that for someone and I figured it was fitting enough to work (I really just wanted to get Dagahra over with; his video was a real chore due to how repetitive the monster scenes in that film tend to be). But in retrospect I’m pretty pleased with it: taking his backstory into account it feels like he’s calling out both Leo and the Nilai Kinai people for creating him and then not letting him do his job as he understands it. The line “There’s no apology for your hypocrisy” feels to me as though he’s calling Leo out for simultaneously pretending to defend the Earth while protecting the very people who destroy it. Likewise “You made me what I am.”

Overall, despite the struggles, I’m pretty pleased with how this one turned out. Enjoy!

Flotsam: Various and Sundry Life Things and the Mario Movie

1. I’m beginning to settle in at last as the final few necessary tasks and purchases are being wrapped up. Having a new apartment is like having a giant toy; there are all sorts of things you can do with it and you can’t wait to get the chance to play with it.

2. Internet is up at last, though I have it on a kill switch (via the simple expedient of plugging the router into a power strip) so I can turn it off it becomes too much of a distraction.

On that note, I’m working out a schedule for myself to hopefully improve my (frankly appallingly slow) output. So far setting up has kept on interrupting, but even so I’ve found an uptick in production. Amazing what sitting down and just doing the damn work can accomplish.

3. Part of my schedule is anticipated to include Saturday movie nights (don’t like watching movies during the week, since they eat up so much time), and last night it was Megamind. I’ve probably mentioned it before, but that’s another film I’ve been meaning to do an essay on, since it ranks high on my list of underappreciated gems. It’s an example of the best kind of satire: the kind that provides the genuine thrills and particular joys of the genre it’s spoofing, even as it uses the material for comedy (The Princess Bride and Galaxy Quest are other examples of this sort of thing). In this case it pokes fun at comic book superhero tropes while also providing some excellent comic-book-style action / adventure heroics.

It’s also almost infinitely quotable: “Warming up? The Sun is ‘warming up‘?!”

4. The voice cast was announced for the upcoming ‘Super Mario Brothers’ animated movie (entrusted to Blue Sky of all people), and no one seems particularly happy about it. I like Chris Pratt, but him as Mario? I don’t know about that. And last time I checked, Charles Martinet was alive and well. Granted you might not want the high-pitched Mario voice for a whole film, but I happen to know that Mr. Martinet can do many voices (e.g. he was one of the dragons in Skyrim): all he has to do is tone it down a bit.

I really don’t understand why studios do this (it also bugged me when Roger Craig Smith was replaced by Ben Schwartz for Sonic. Schwartz was fine in the role, but it’s annoying nonetheless). Or rather, I understand, but it makes no sense from a fans’ perspective. Studios figure that mainstream audiences will want to see familiar names in the credits, not the relatively obscure voice actors of the games. Filmmakers, and especially studio people, are notoriously out of touch and so don’t realize that the days of star-driven films are largely in the past. No one is going to go see Super Mario Brothers to hear Chris Pratt and Jack Black: they’re going to go see it to see the Mario Brothers (assuming it looks tolerable from the trailers). Keeping Charles Martinet in the title roles would have been a surefire way to garner immediate fan support, which I think is frankly a lot more valuable these days than star power, especially for an animated film.

I still hope the film is good, and I’m not judging it yet, but this isn’t a good sign. Please, please at least be better than the live action film. That should not be a challenge.

(Though for my part, all will be forgiven if they give John Leguizamo and Samantha Mathis cameos. Or if they bring Lance Hendrikson back as the king / chancellor of the Mushroom Kingdom. Come on, people: he never turns down a paycheck!).

5. By the way, I suspect the above is the reason why My Little Pony: The Movie jettisoned most of that show’s fantastic supporting cast in favor of a bunch of new characters with celebrity voice actors. They probably would have re-cast the Mane Six if they thought they could get away with it (“Starring Scarlett Johanson as Twilight Sparkle”).

6. Also, regarding the Mario movie: Dwayne Johnson should have been Donkey Kong. How does one fail to see that?