The show is also creative in how it handles the villains. Rather than an increasingly ridiculous series of accidents and coincidences, we have one accidental event (Electro), which directly leads to another (the electricity discharged during Electro’s rampage gives Doctor Connors’s Lizard formula an unexpected boost, sending it into overdrive), which then makes Tombstone realize that if Spider-Man is busy fighting supervillains, he’ll be too preoccupied to go after his crime empire.
So he hires Osborne to start making more, which gives Osborne funding and test subjects for his more “questionable” experiments. The show therefore quickly brings a large portion of Spidey’s excellent rogues’ gallery into play while continuing to tell a seamlessly coherent story, developing the already established characters, and without placing undue stress on the audience’s credulity.
That brings me to another aspect of the writing: it flows marvelously well from one episode to another. Actions and events have real consequences that may not come into play for several episodes down the line, meaning that everything the characters do has real weight. A thoughtless decision on Peter’s part in an early episode starts a chain reaction of events that continues to affect the story until the very end. When characters have to make hard choices on this show, we’re completely invested because we know it could affect the whole course of the story.
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