I’m repeatedly amused at the thought that, this time last year, I’d barely given a thought to My Little Pony, and now it’s one of my all-time favorite animated shows and keeps compelling me to write about it. Among the many pleasures it’s brought is that I now have another favorite Christmas special to watch.
MLP has had a few ‘holiday’ episodes centered around Hearthswarming: the Equestrian equivalent to Christmas. Typical of this show, they’re much smarter about it than the cutesy exterior would lead you to think and the best so far is A Hearthswarming Tale from Season Six, where they do a ponyfied version of A Christmas Carol (which a bit of the Grinch thrown in).
The episode opens with Twilight Sparkle hosting a Hearthswarming party at her castle. However, her friend Starlight – the recently-reformed ex-egalitarian dictator – reveals that she doesn’t celebrate. She complains that, though it’s supposedly about an important event in their culture, for most people it’s just an excuse for candy and presents (Spike: “And why would you deny yourself presents and candy?!”). In response, Twilight offers to read Starlight one of her favorite Hearthswarming stories to try to get her into the spirit of things.
The story tells of a powerful and dedicated wizard named Snowfall, who is annoyed that everyone is wasting time partying around Hearthswarming instead of working to make a better Equestria. She then decides to use a magic spell to remove the holiday entirely, including everyone’s memory of it. However, three ghosts – of the past, presents (sic), and future – show her why this would be the wrong decision. Of course, each character in the story is played by one of the established cast, with Starlight as Snowfall, Rainbow Dash as her put-upon assistant, etc. (which leads to a great joke about Twilight doing the voices as she narrates).
Obviously, it’s not the story of A Christmas Carol so much as a modified take on it to fit better in the setting, which actually works a lot better, both because it would be odd if they just did a straight version with the ponies, and also because the changed story allows for them (in typical MLP fashion) to touch on some very interesting ideas.
For instance, Snowfall’s reason for hating Hearthswarming is specifically that she thinks it wastes time and effort that could be better spent on creating a better world for everyone: just like many a Communist or political radical has objected to Christmas or any kind of fun and enjoyment because it wastes time and money that could be better spent solving the world’s problems.
The show succinctly deconstructs this position. When some of the other characters are discussing Snowfall’s argument, they ask, “what does she think a better world would look like?” If it’s people being kind and generous to each other, enjoying one another’s company, and coming together for a common purpose, then, well, that’s what they’re doing. It hardly makes sense, when trying to make a better world, to seek to remove something that actually makes people better.
Likewise, Snowfall’s dismissal of gift-giving as silly and wasteful is also deconstructed: the point’s not the gift itself, but the thought behind it. The gifts, parties, and so on are only ways to express love and goodwill. Again, what does she think a better world looks like if not that?
Then comes probably the most interesting and startling part (which I didn’t even catch until my most recent viewing): Snowfall gets shown the future that will come to pass if she casts her spell to destroy Hearthswarming and finds it to be a frozen wasteland. You see, in the MLP mythos there are creatures called Windigos: ghostly frost monsters that feed off of strife and hatred. Hearthswarming celebrates the defeat of these monsters when ponies first came together in Friendship, and the love and goodwill borne of the annual celebration keeps them at bay.
Leaving aside the fantasy setting, note what’s happening here: Snowfall, the hardheaded would-be realist, scoffs at this quasi-religious origin of the holiday. Then, when she sees the future, she discovers that what she dismissed as a myth or a story for children is not just true but vitally important to her and everyone else.
Now, obviously they don’t come within a mile of the actual Birth of Christ, but, in their oblique way they actually make the point that the ‘mythic’ element of a holiday may be the most important thing about it, and that all the other trappings might just be a means to celebrate what it’s really all about.
Have you ever wondered, in all those stories about ‘saving Christmas’ (which, frankly, mostly amount to saving presents), what would happen if they didn’t save Christmas? What if, somehow, the Grinch actually could steal Christmas? What would that mean?
Well, through the lens of its fantasy world, My Little Pony actually becomes possibly the first Christmas special to not only ask this question but to give a pretty good answer. Here the result is an endless winter born of strife and hatred. On a more fundamental level, the answer is that it would be a world without hope. If, somehow, you could destroy Christmas – that is, remove the coming of Jesus – you would be left with a hopeless world still mired in sin. Again, it’s done obliquely in a fantasy setting, but the storyline and imagery are certainly applicable to the real meaning of Christmas.
So, in other words, My Little Pony – MY LITTLE PONY – actually has a pretty good idea of what ‘no Christmas’ would actually mean. This show gives a better image of the true meaning of Christmas than the whole Hallmark channel.
Plus the humor is spot-on, the music is some of the best of Season Six (Luna gets a solo: what else needs to be said?), we get to see everyone in Victorian-style dress, and the evocations of the holiday both positive (“Growing like a seedling / and playing is like dreaming”) and negative (“Finally set free from your forced celebration / no need to reply to your trite invitations”) are so apt that I found myself repeatedly quoting the episode as I went about my Christmas shopping.
So, I’m left asking the same question I’ve been asking all year: why is this show so darn good?