It is kind of a sad commentary on the state of the once-venerable franchise that the best and most satisfying work to come out of Star Wars’s move to Disney is a Phineas and Ferb special. Granted, Rogue One was pretty good, though it wasn’t well paced and the characters were mostly pretty bland. And I haven’t seen The Last Jedi, so maybe it’ll…you know what, I’m actually going to go out on a limb and say I don’t think it’ll make much difference.
So, what does Phineas and Ferb do right that the other recent Star Wars films fail to do?
First of all there’s the fact that, though it’s a spoof, it nevertheless manages to pay sincere homage to the original while also doing something new. Unlike Force Awakens, which was a lamer retread of the first film, PnF cook up their own storyline set in the Star Wars universe…and, just to compound the insult, they do it while literally retreading the first film.
The special posits versions of the Phineas and Ferb characters were present and played an unseen, but crucial role in the events of the first Star Wars. Phineas and Ferb live next door to Luke Skywalker on Tatoinne, but where Luke longs for something more the two brothers are perfectly content with their lot and spend their days making the most of their life on the desert planet. Until, that is, they run across R2-D2 and accidentally end up with the Death Star plans. So, while Luke, Obi-Wan, and the rest try to get R2 to the Rebels, thinking he has the plans, Phineas and Ferb race after them to try to get the plans back to them.
Thus, instead of a character who is dissatisfied and longs for more, he we have two characters who are satisfied, but are knocked out of their comfort zone and forced to attend to larger issues they hadn’t thought of (neatly foreshadowed in an early scene where their father tries to get them to go off the planet to experience the wider world). This is paralleled by both Candace – here an overzealous and underappreciated stormtrooper – and Isabella – here a rival smuggler to Han Solo, in a somewhat jarring departure from her normal characterization. All three sets of characters are more or less comfortable in their present lives, not realizing that those lives are unhealthy or unsuited for them, and over the course of the story are pulled out of their comfort zone and forced to re-evaluate their situation.
The one exception is Doofenshmirtz (here called ‘Darthenshmirtz’), an underappreciated scientist for the Empire and the actual designer of the Death Star (which, of course, is why it was so easy to destroy; it had a self-destruct button. This is even funnier in the wake of Rogue One’s revelation that that’s actually the canon explanation). Doof, in typical fashion, wants to cheat his way to greater respect and to that end has created a ‘Sith-Inator,’ which makes anyone it hits extremely attune to the Dark Side of the Force.
Now, I don’t know enough Star Wars lore to know if that fits the universe, but quite frankly, and setting aside Doof’s goofiness, that’s actually a pretty decent superweapon and a neat twist on the established elements. It sounds plausible given the setting, and it’s both more interesting and more insidious than just another planet buster. It’s mostly a gag, and primarily exists to set up a fight between Phineas and Ferb (the writers went on record saying evil mind-altering technology was literally the only way that could happen), but it’s a gag that evinces more real creativity than the whole of The Force Awakens, and one that honestly could have served for a whole trilogy.
It also sets up a genuinely emotional and tense confrontation playing on established themes of loyalty and ambition…while also making a joke about the way lightsabers keep getting more complicated and impractical (and they somehow made Ferb actually look scary, which is impressive in itself). That’s the thing: the special is a goof, but it’s a goof with honestly good storytelling.
Also the way the characters develop and change over the course of the special is really well done. Like Force Awakens we have a stormtrooper switching sides, but it’s done a lot better here. Candace has her perspective altered by experiencing something her training has taught her could not happen, letting in a bit of light that finally makes her question her point-of-view. And, equally believably, once she does that she quickly notices other things that didn’t fit with her assumptions (“didn’t we just blow up a planet?!” “Yes, that is sort of difficult to justify, morally”). Also, when she does change sides, she’s still kind of a badass and proves an effective ally, putting her stormtrooper skills to good use, rather than being a total ineffectual loser.
Likewise with Isabella’s story arc of learning to open up and care for Phineas and Ferb, both being impressed by their skills and attracted by their loyalty. It’s a standard character arc, of course, but it works. The progression is believable, much like Han’s progression in the first film was believable.
Speaking of which, I can much sooner buy Han Solo having a rivalry with Isabella and talking smack with her at a bar than I can buy him divorcing Leia and going back to smuggling after losing the Falcon and what the hell were they even thinking?! Stupid, stupid, stupid!
Sorry. But, yeah, oddly enough Han and Isabella’s conversation and mutual prodding actually sort of works and I can almost imagine it really going down like that.
Also, it’s fun. It’s exciting. It’s funny. It moves quickly and the characters are all engaging and likable. It let’s us know how and why the Empire is bad and makes us feel what’s at stake even as it uses the material for jokes. They play Alderan’s destruction for dark humor, but it’s balanced by Phineas’s stunned reaction when he finds out what the Death Star can do (“I never thought the Empire would go that far!”).
So, yeah, the silly parody in a Saturday morning cartoon special was better, more interesting, and more in keeping with the spirit of the original than the ultrabudget sequels.