Audiences will accept even the most ridiculous and unbelievable premises for a story, provided the storyteller knows what he’s doing. For instance, the premise of Rear Window begins with “There’s a man who doesn’t want to marry Grace Kelly…”
Audiences will accept even the most ridiculous and unbelievable premises for a story, provided the storyteller knows what he’s doing. For instance, the premise of Rear Window begins with “There’s a man who doesn’t want to marry Grace Kelly…”
Heh!
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